Content: blindThe brothers Connelly, Link (Lincoln Tate) and „Tornado“ (Lorenzo Fineschi), and her sister Sally (Fiorella Mannoia) chase after a rogue, named “The Crow” (William Berger). The Crow gang even has killed their father. The spoor gets hot, as the Connellys find an abandoned stagecoach, obviously robbed by the Crows. The stagecoach belongs to the regional mine company of a certain Mr. Lawson (Rosario Borelli (“Richard Melvill”)).
The Connellys arrive in the nearby village of Middelsburg and pay their respects to Mr. Lawson. For an adequate payment they offer their services to catch the thieves. But instead of being thankful, Lawson sends them packing and even denies, that the stagecoach is his. At the latest as he finds some false gold in his poker gain, Link doubts, that there’s also something fishy with the robbery of the stagecoach. Beside Lawson the Crow gang and the a bit moronic Sloan family, which passes the time with selling hyena meat in the saloon or senseless kidnapping of women, are mixed up too with the case.
| The Gunslingers says: blindWhen Gianni Crea serves spaghetti, it’s obvious, that you can’t await a great pleasure. At the best you can cost this unwillingly. After the consumption of “Seven Devils on Horseback” I was appropriately warned, but unfortunately there aren’t any funny mistakes in this flick, so there’s not even something to smirk.
What we get, is a boring cheapo without reasonable plot and resolution, with punishable acting efforts. William Berger puts up a brave front: Clothed in a flittering black coat, he lives up to his name, pacing the sets admirable serious. For Lars Bloch money didn’t last to buy a costume. So he wears a thick plaid jacket with a cap, looking like the lumberjack next door, whereas fat Lorenzo Fineschi sometimes is clothed in a super tight, shiny leather shirt. Actors and the lack of atmosphere add up to a mix of Punch and Judy show and childish Cowboys and Indians, what bores very fast. Into the bargain there are several attempts being funny, which is a complete flop because of the lack of qualification before and behind the camera.
Anyhow Franco Villa and Gianni Raffaldi, responsible for the camera work, try their best letting look the film better and offer beside the classic close-ups some nice shots. The score is unremarkable, but includes a snappy trumpet theme, which is unfortunately hard to hear in the movie.
| Rating: $$
blind
| Bodycount: blindca. 40 Gringos
| Explicit Brutalities: blindAngry villagers lam Crow’s wounded brother and cook his goose later on
| Luv': blind„Tornado“ sails in bar aide Mary, but Lawson ends up the hanky-panky roughly. Whereas Sally and Charly, one of the Sloan sons with the really best 70s hairdo, finally get together: 0/10
| Gore: blind1/10 Specials: blind
Trailer: by
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| OT:
blind...E il terzo Giorno arrivo el Corvo
AT:
blindArriva! Il Crow
Year: I 1973
D: Gianni Crea
S: Mino Roli (“Max Roll”)
C: Franco Villa, Gianni Raffaldi
M: Nora Orlandi
with: Lincoln Tate, Lorenzo Fineschi, Fiorella Mannoia, William Berger
 | blindHunting party in the gravel-pit
|  | blindLincoln Tate and Lorenzo Fineschi make some exercises in the saloon
|  | blindChilling in the hotel room
|  | blindWilliam Berger hyperventilates a bit
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